![]() I'd rather have it look good and look like a cool ’70s thing.” Speaking to Time on the set of Kill Bill, Tarantino vowed to film it “the Chinese Way” without digital effects, saying, “That sh*t looks good, but it looks like a computer did it. 1 to live up to his legacy of gory stories, meaning there was no shortage of practical effects on the film. The Kill Bill crash created a rift between the actor and director for years, and in a 2018 interview with Deadline, Tarantino said, “It’s the biggest regret of my life, getting her to do that stunt.” Thankfully, the pair seem on better ground these days. Distributor Miramax refused to release footage of the crash unless Thurman waived her rights, but eventually did so in 2018 when she went to the police following allegations against Miramax boss Harvey Weinstein. Thurman says she felt unsafe and asked the stunt driver to do the scene, although Tarantino reassured his lead the vehicle was safe. Thurman has spoken candidly about being injured in a car crash during the shoot, even accusing Tarantino of inadvertently trying to kill her in a tell-all interview with The New York Times in 2018. "Woo-Hoo" went on to appear in Carling advertisements and was a rare Japanese entry to the UK Singles Chart.Īlthough Thurman and Tarantino have a working relationship stretching back to Pulp Fiction, Kill Bill brought them closer than ever while also nearly pulling them apart. Tarantino was on the way to the airport and offered to buy the CD from the clerk, but when they refused, he had to pay double the retail price. On the special features, Tarantino says he came across The 5.6.7.8's in a Tokyo urban clothing store. 1 soundtrack is an eclectic mix that features everything from Spaghetti Western tracks to the Twisted Nerve theme, but one of its standouts is The 5.6.7.8's performing "Woo-Hoo." The band recorded several songs on the soundtrack, with some of their live performances available on the DVD’s special features. Still, the full-color Crazy 88 scene can be found in Vol. Most assumed this was a stylistic choice, homaging the martial arts movies of the ’70s and ’80s that were shown on American television in black and white to tone down the violence. ![]() This led to the iconic Crazy 88 scene switching to black and white when The Bride plucks out one of her foe’s eyes. To keep it rated R, Tarantino had to dial back some of the bloodshed. 1 was on the MPAA's radar and skirting an NC-17 rating. The New York Times reported that, like any Tarantino movie, Kill Bill: Vol. Over $60,000 was spent on swords and knives, with much of that put to use during this scene. After slicing her way through Gogo, the rest of O-Ren’s forces turn up to put Beatrix through her paces. 1 is splashed with color, but that all changes during The Bride’s climactic fight with the Crazy 88. The Real Reason for the Black and White Fight In it, Yuki caught up with The Bride in the USA, and during a bullet-riddled fight, the infamous P*ssy Wagon was going to be destroyed. Back when Kill Bill was one long movie, a whole section titled "Yuki’s Revenge" was eventually cut from the script. Tarantino wanted to cast Japanese actress/singer Ko Shibasaki as Yuki Yabari, with Kuriyama’s Battle Royale co-star taking on her own arc of vengeance against The Bride. But Gogo’s backstory was nearly much bigger, as Tarantino planned for her to have a twin sister. Despite her limited screen time, O-Ren’s unhinged bodyguard is still memorable thanks her signature meteor hammer and brutal demise. Gogo’s TwinĪside from Lucy Liu’s O-Ren Ishii, the only other person who comes close to besting The Bride in Kill Bill: Vol. she’s sniping Nazis from the rooftops of Paris.” Admitting that “almost everything” he liked about Shosanna was given to The Bride, he rewrote the character and says that she became closer to one of his other female powerhouses, Jackie Brown. ![]() Describing her as a World War II Joan of Arc, Tarantino said: “She was killing Nazis and she had a list of officers. In a 2009 interview with Charlie Rose, Tarantino explained how The Bride was born from his first iteration of Shosanna. ![]() The original draft of Basterds had Mélanie Laurent’s Shosanna Dreyfus working much closer with Aldo Raine (Brad Pitt) and the others. Tarantino reportedly couldn’t nail the narrative on that World War II tale, meaning Kill Bill: Vol. While both Kill Bill and Inglourious Basterds are twisted tales of revenge, the latter nearly came first.
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